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One summer, I received the last letter she had left behind in 2004. Chuncheon, Soyang-ro, Jangmichon—a red-light district whose name means "Rose Village." It was where she wrote her final letter and where I spent my childhood. After receiving the letter, I returned, but both Jangmichon and my old house had vanished. Where did the women who lived here go? Why are they always the first to disappear? Who made them vanish? Searching for traces of the women who wavered and disappeared like a shimmering summer haze.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

暂无英文版的简介，请添加内容帮助我们完善数据库。

We don't have an overview translated in English. Help us expand our database by adding one.

暂无英文版的简介，请添加内容帮助我们完善数据库。

Japanese photojournalist Kuwabara Shisei boards a flight to Korea. Since his first visit in 1964 as a 27-year-old, Shisei has spent six decades documenting the turbulence of Korea's modern history: Cheonggyecheon, military camp towns, the Vietnam War deployment, and democracy movements. Now elderly, he returns, believing this might be his final journey. He carries a mission: to revisit the places and people that defined his life’s work. The film follows the photographer’s footsteps back into the heart of these historical sites.

We don't have an overview translated in English. Help us expand our database by adding one.